Puhlkari by Kira Bhumber. Photographer: Andrew Howell. Used with permission

Ground Works is a platform for exemplary arts-inclusive research projects and reflection on the processes that drive interdisciplinary collaboration.

Latest Collection

Creating Knowledge in Common

Editors: Shannon Criss, Kevin Hamilton, and Mary Pat McGuire

Universities and communities are partnering together to more fully support needs across society. Art and design practices engaged within these partnerships substantively deepen the impact of this collective work through expression, visualization, representation, and exhibition, converging multiple viewpoints into broader re-imaginings and tangible new creations with both rational and emotional force. This special collection shares stories of such partnerships and their extraordinary outcomes in areas including community health, community arts, placekeeping, climate adaptation design, food production and distribution, abolition, student learning and engagement and more.

November 2024 · 10.48807/2024.2.0002 · CC-BY-NC-ND

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Ground Works Pilots CRediT-FAIR Framework for Non-Authorial Contributions
December 2, 2024

Ground Works staff has adapted the NISO (National Information Standards Organization) Contributor Roles Taxonomy, known as CRediT.

CRediT has gained traction in sc...

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Featured Articles

Judaica: An Embodied Laboratory for Songwork

Ben Spatz, Nazlıhan Eda Erçin, and Agnieszka Mendel

“Judaica: An Embodied Laboratory for Songwork” was a two-year research project that explored the construction of identity through the act of singing. The heart of the project was a six-month laboratory period in which the three of us worked closely together, on a full-time basis, as skilled performance practitioners investigating the cultural and epistemic potential of songs. In response to critical work in the humanities and social sciences calling for greater recognition of embodied knowledge and practice in emerging research paradigms, the Judaica project implemented a new type of laboratory, in which interactions of technique, identity, and place gave rise to new forms of knowledge. Drawing on critical theories of identity, as well as studies of laboratory research in the sciences, the project offers a model for the post-technoscientific laboratory as a “place of making” in which bodies, songs, actions, objects, and concepts come together in unexpected and generative ways. Among the key discoveries of the project was a new method for sustained, experimental, embodied practice, grounded in critical theories of gender and racial identity, as well as a new approach to the editing and co-authorship of video works generated through this process. These video materials are both data for cultural researchers and research outcomes in their own right.

October 2020 · 10.48807/2020.0039 · CC-BY

The Home We Made: Illustrating Filipino Migration

Nina Martinez

The Filipino migrant worker’s story takes place across continents, resulting in gaps and silences within their story when viewed from a single perspective. How can techniques in illustration be used to challenge linearity and dominant perspectives? How can it be used to record and retell histories of marginalized/migrant populations? In a collaboration with Damayan Migrant Workers Association and Barnard College History Department, the project utilizes both art-based research and field work methodologies toward an illustrated visual essay of the experience of the Filipino migrant domestic worker in New York City. It looks at how illustration can be used as a tool for documentation and journalism. Illustration can record and inform, but it can also fill silences in the archive, as well as protect subjects who may be undocumented or trafficked, especially in contexts in which photography might have jeopardized their safety. Field work, reportage drawing, and interview aid in recording my experience as a volunteer staff member in Damayan. In late 2023, I illustrated and designed 20 Years of Damayan, a visual historical timeline for the organization, assisted by collaborative archival research with Barnard College History. I then brought my illustration methodology to Little Manila, the Filipino im/migrant enclave in Queens, New York.

November 2024 · 10.48807/2024.0.0170 · CC-BY-NC-ND

Fresh Press Agri-Fiber Paper Lab

Eric Benson

Fresh Press is an interdisciplinary research and making lab at the University of Illinois that explores the potential of regional sustainable agricultural fiber waste as art, paper, and objects. Our mission is to develop entrepreneurial and artistic markets for paper products originating from locally produced sustainable agricultural fiber waste (corn stalks, rye, hemp, and prairie grasses). We are divided into three organizational components: research, residencies, and outreach. Our research involves developing new models, methods, and applications for the integration of agri-fiber waste paper as a viable commercial alternative to wood pulp. Currently, our main research endeavors are the engineering of a conservation-grade sustainable case paper for use in mending books in the Illinois library collection, and the creation of agri-fiber building materials (bricks and insulation) for architecture. Fresh Press also seeks to shape and educate through papermaking workshops and lectures, steward the land we use in our craft, and investigate indigenous plant and agricultural fibers for the arts to help solve global environmental and social issues. Our recent artist residencies supported painters and sculptors who created visual experimentations, compositions, books, and sculptural collages that represent our ecosystems. As a place on this planet, we aim to leave a minimal footprint. We collect rainwater for papermaking, have installed solar panels on our partner farm, and do not use fossil fuels in our cooking processes for paper. We hope Fresh Press will become the model for small-scale sustainable papermaking, which can eventually be applied to a larger industrial practice.

August 2022 · 10.48807/2022.0.0057 · CC-BY-NC-ND

Featured Commentaries

As early groundwork for Ground Works, a2ru invited submissions of interdisciplinary projects. Six of those projects played a seminal role in shaping the platform and helping to define the a2ru transdisciplinary space.

November 2020 · 10.48807/2022.1.0003

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“Choreografish” thoughtfully applies choreographic practice to virtual reality, work that will no doubt shape dancerly engagement with the digital for years to come. What was most inspiring about the project was how it bravely braided strains of expertise that too rarely come into contact.

July 2021 · 10.48807/2022.1.0005

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